A banner image that explains there are 27 stories in the anthology written by and starring folks, who are disabled, Deaf, Blind, neurodivergent, Spoonie, and/or they manage mental illness. There is also recognition of the support from the Canada Council the arts. And there’s an image of the cover of the anthology with the aurora nominee logo beside it.

Mini-essay Monday: Our CripLit Village

Note: Crip is a reclaimed term that many disabled folks use as a word of empowerment. CripLit is a term for disability literature.

January 19, 2023


Our “village” is a place we all seek. It’s that band of friends and strangers who become friends… a group who share our lived experiences. That collective where being perfect never has to exist. We can be messy, and we celebrate our messiness. Brains don’t hafta brain optimally. We understand that and work with it. 

Last night, I took my sick, exhausted body into my office, along with my brain that lived in a dense fog, and co-emceed a virtual book launch of Nothing Without Us Too. I moderated a panel where we were all delightful hot messes. Our answers were edifying, validating, honest, even snarky. Together we just worked. We just clicked. We accommodated, accepted, and celebrated each other where we were at. That absence of the pressure to present as “normal” leads to unrestrained freedom of the soul. 

Sometimes at book launches, one wants to impress, to “sell” the work. This is a business after all. But last night, all we cared about was the community we had with each other—disabled, neurodivergent, and mentally ill authors.  We laughed, we vented, we did nothing to be palatable to an abled, NT audience. People would have to deal with our perspectives, our experiences, our journeys. CripLit…the director’s cut. 

There is such a constant pressure for us to “perform” and “mask” to adapt to the Normies’ structure of society. It’s draining. So, to show up as our authentic selves, unedited, is a gift. A gift we need to bring to each other more often. 

This is why I am an advocate in literary circles. Spread out, we’re tokenized. Together, we’re a community to be reckoned with. Separate, we’re unique crystals of snow, but together, we’re a boulder torrenting down a hill, able to take out an entire township.

And we’re coming for you, ableism. We’re coming for ya. 


A greyscale close-up of me, standing in front of a blank background. I am a white woman with short silver hair cropped closely on the sides. I am wearing dark metallic rimmed glasses with rhinestones on the side. I’m wearing silver hook earrings with flat beads and a plaid shirt.

Cait Gordon is an autistic, disabled, and queer Canadian writer of speculative fiction that celebrates diversity. She is the author of Life in the ’CosmThe Stealth Lovers, and the forthcoming Iris and the Crew Tear Through Space (2023). Cait also founded the Spoonie Authors Network and joined Talia C. Johnson to co-edit the award-nominated, multi-genre, disability fiction anthologies Nothing Without Us and Nothing Without Us Too.

ID: close up shot of a calendar showing January 2022

It’s 2022! Still here, still queer—COVID’s a pain in my rear.

(I like to rhyme.)

Hi, folks! Whew, we’re into year three of the pandemic, and so far I have not caught the virus because of my clever approach of “having absolutely no life outside my home and what is even time anymore and I think my medical support people are now my only real friends.”

It’s been a real ride. Thankfully, my husband and I are on this journey together and lately have found solace in the real funny reboot of DC Hero Supergirls. I might have claimed Batgirl as an ND peer, too. We like to watch it after the The Ten Minutes of Crap, which is the nightly news. Laughter is so vital to our survival, I swear. We’re even rewatching Modern Family.

I have also deep-dived into LEGO building and am proud to say I completed 24 days of Star Wars Advent calendar mini-builds, which I hung up on my Christmas tree (that’s what you’re supposed to do, right). I also completed an almost 600-piece built of Boba Fett’s starship. That was relaxing to do a bit over a few days.

ID: A photo of a bitty Grogu in a flying carrier, hanging as an ornament on my tree.
Isn’t Grogu adorbz?
ID: A photo of Boba Fett's starship, sitting on my oak table
I did the thing!

As for work stuff? I did submit Season One: Iris and the Crew Tear Through Space to Renaissance late in 2021. Will keep you posted about that! I also received word that a short space opera poem of mine has been accepted into a publication. Stay tunes for details on that, too! And I have been working really hard with Talia on the Nothing Without Us Too anthology. Deadline for that is January 31, 2022!

Oh, and I drew my first cover art for Jamieson Wolf’s novella: Captain Maven and the Shadow Man. He will be putting that out this year, I believe! There’s a preview of it on jamiesonwolf.com!

ID: ebook cover of Captain Maven and the Shadow Man. A superhero is standing on a dirt path near the edge of a grassy precipice. He is dressed in a purple lycra suit with a light purple sash around his waist. There's a silver cross with an M on it on his chest. He has sparkly silve boots and a sparkly light purple cape. In his right hand is a cup and his left hand holds a staff that is illuminating his surroundings. Peering behind a tree is a frowning man, made of shadow.
I drew a thing!

I’m not sure what I am going to focus on with new writing this year. It’ll be a surprise, I guess! I have a few ideas on my whiteboard. I kind of would like to self-pub a thing, to be honest. We’ll see how the year goes.

But yeah, this pandemic is a pain in my backside. Eugenics reign supreme, money is put before people’s lives, and I just can’t figure out how people are travelling right now on vacations. It seems to me that the more than people do to claim their “freedoms,” the more disabled folks like myself are stuck indoors. Doesn’t feel very freeing to me, living inside my house. All I can say is that I am very privileged to have a home, a supportive partner, creativity, too many LEGO kits, and maybe a frightening amount of gluten-free flour.

I don’t really do new year’s resolutions, but I will take this action in 2022: to yeet out negative folks/orgs who/that weigh me down. I just don’t have the spoons to be a part of communities where there’s an atmosphere of combativeness or harm. That toxicity is not welcome in my life. Instead, I want to continue to focus on community building with the wonderful authors I have met through the Spoonie Authors Network and through other opportunities I have to connect with disabled/ND/Blind/Deaf humans. Writers need to support each other, not lord their status/accolades/experience over each other. We can all help each other, regardless of how long we’ve been at our craft. And anyone who is toxic can fly into the sun, please and thank you. I am more impressed by someone’s character than how famous they are. Who needs people like that anyway? I’ll not pander to trolls but thrive with the awesome folks who are kind and fun.

In any case, I wish every awesome human reading this a happy new year. I hope great things happen to you and that you’re in loving and supportive circles.

Cheers!


Closeup of me. I'm a white woman with bobbed silver hair tucked behind my ear. I have a youngish face. I'm wearing a grey tee that has in old English font: "Hmmm..." Geralt of Rivia

Cait Gordon is a Canadian autistic, disabled, and queer author of speculative fiction that celebrates diversity. She also co-edited Nothing Without Us with Talia C. Johnson, a 2020 Prix Aurora Award finalist for Best Related Work that has thrice been part of a disability studies syllabus at Trent University. (The submission window for Nothing Without Us Too is currently open until Jan 31, 2022!) When not fine-tuning manuscripts, Cait advocates for disability representation and is the founder of the Spoonie Authors Network.

bee on a yellow flower

What the heck has Cait been doing???

Hi, fellow followers! It’s been a good while since I’ve posted here. That’s because I took a work hiatus from my freelance editing career to focus on my latest WIP, Iris and the Crew Tear Through Space! I am happy to say that the hiatus was successful and the first “season” of this episodic series is off with beta readers! (I really want a streaming series and am not famous enough for one, so I decided to put mine in book form.) Iris and the Crew is about the adventures of the crew of a science vessel, the S.S. SpoonZ, which is a ship that’s fully accessible and whose society provides all sorts of accommodations. It combines my love for disability advocacy with space opera, humour, and mentions of cake. I have been invited to submit it to my publisher, Renaissance, and hope to do that in December of this year.

All good hiatuses come to an end, though, and September meant back to work for me as an editor. And now, on October 1, I resume the role of co-editor in chief with my BFF, Talia C. Johnson for the Nothing Without Us Too anthology. Once again, we’re seeking stories for this multi-genre collection, from authors who are disabled, d/Deaf, Blind, neurodivergent, and/or who manage chronic illness and/or mental illness. It’s going to be a challenge doing this anthology with a pandemic over our heads, but Talia and I are all in. Our brand of quirky humour will see us through.

Part of the self-care I did during the hiatus was being really honest with myself. I’d planned for a great second season of my In the ’Cosm podcast. Unfortunately, I knew I wouldn’t be able to manage the production of it and work on the anthology. My guest authors were amazingly understanding. Mental and physical health comes first. Hopefully one day, when things get a little easier, I can resume with that podcast. I had so much fun doing the first season!

And that’s what the heck I’ve been doing. If you’d like to support the works of this wee author, please visit my All Published Works page. Or just follow me on this blog and my social media. Let’s connect!

Happy spooky season! Woooooo!


Closeup of me. I'm a white woman with bobbed silver hair tucked behind my ear. I have a youngish face. I'm wearing a grey tee that has in old English font: "Hmmm..." Geralt of Rivia

Cait Gordon is a Canadian autistic, disabled, and queer author of speculative fiction that celebrates diversity. She also co-edited Nothing Without Us with Talia C. Johnson, a 2020 Prix Aurora Award finalist for Best Related Work that has thrice been part of a disability studies syllabus at Trent University. (The submission window for Nothing Without Us Too is currently open until Jan 31, 2022!) When not fine-tuning manuscripts, Cait advocates for disability representation and is the founder of the Spoonie Authors Network.

ID: Dashboard screenshot for CampNanoWriMo. Mockup cover of Iris and the Crew Tear Through Space. Goal indicator reads 20,063 words out of 20,000.

How I Wrote Over 20K Words in April 2021

I have absolutely no clue how I had the endurance to manage it.

But I did it.

I set a goal of 20,000 words for CampNaNoWriMo this April and just passed it this afternoon, three days early.

Why this is amazing to me is because of the state I am in at present. The pandemic and the complete bumbling of the vaccine rollout in my province, along with living in an unaltered lockdown mode since March 2020 have walloped my mental health into another dimension. Because I am disabled and a higher-risk person for COVID-19, I have had to live in a protected way so as not to catch the virus at all. And in 2020, my brain burnt out. I could barely write a word. I even had to take an editing hiatus because I couldn’t concentrate on the written word. I couldn’t even read for pleasure.

Slowly in the fall of 2020, I began to regain my ability to read and edit again, and took on some work. But in March 2021, I felt another hiatus was needed, as my fatigue levels were off the chart, even for a fibromyalgia person. My mental health was in the toilet. The only thing I knew that could help me recover was rest…

…and writing.

I mean, after all, I did write The Stealth Lovers during a period when I suffered panic attacks even in my sleep. Writing those zany lizard-men warriors had comforted me, made me laugh, and took me to another place. Writing was self-care.

Writing is self-care for me. And so, I realized this year, I would take my editing hiatus right before CampNaNoWriMo. I thought, Welp, I’m wiped out, but I really want to work on Iris and the Crew, so maybe a smaller goal? I mean, I can stop any time, if it’s too much for me.

That’s a big rule for me about these NaNos. Don’t do them at the expense of my health.

So, I figured 20,000 words meant 667 words a day. That shouldn’t be too-too bad.

And then a thing happened. Amid all the eugenics-based messages of 13 months and counting, when disabled and chronically ill people like me have been told in so many words that we don’t matter enough to be protected from COVID-19 or kept alive during a triage situation, I dived into Iris and the Crew‘s world-building. This cast of characters are assigned aboard a science and tech vessel where being disabled, Deaf, neurodivergent, Blind, mentally ill—all these things—don’t present a problem. All accommodations are met. The ship is fully accessible. They have med-tech units, physical therapy, mental wellness centres, all the assistive tech you can eat. (Maybe don’t eat your assistive tech though.) And this culture goes beyond the ship. Planetary and lunar civilizations offer accommodations as a natural part of life. They’re not an “inconvenient” add-on. The world of Iris and the Crew is my dream-space. There are no eugenics. You can be as you are and be an admiral of a fleet, a head of security, a communications officer, chief engineer, second-in-command, and a captain. You’re not set off to the side. How you are is respected and your supports are met. And if you are autistic, nobody is speaking over you or expecting you to become neurotypical.

This is where I need to live right now. I need to exist in a place where people like me matter.

Because that’s the message that’s getting missed right here on Earth.

It’s no wonder I wrote 20,000 words. I was starved for a life where I matter, so I had to create a safe space.

The book is not finished yet, but the groove I have established with writing a little each day, sometimes skipping a day here and there, could mean that this is the summer when I have a first draft written.

While I am super excited that Renaissance has already accepted my pitch, earning me a chance to submit Iris and the Crew Tear Through Space for review by the Acquisitions Committee, one thing has been made really clear to me.

I’m writing this book to soothe myself, to imagine a place where disability is never a societal big deal, and where someone like me can soar among the stars.

Writing this book is definitely self-care.

And my plan is to finish it in hopes that I can invite others along for the ride so we can all tear through space!


Cait Gordon is a disability advocate who wants everyone to be wise and think of others as we battle COVID-19!

Cait is also the author of humorous space opera novels Life in the ’Cosm and The Stealth Lovers, and she is the co-editor of the Prix Aurora Award nominated anthology Nothing Without Us. When Cait’s not writing, she’s editing manuscripts and running The Spoonie Authors Network, a blog whose contributors manage disabilities and/or chronic conditions. Her latest new adventure is hosting the In the ’Cosm podcast, which is really an excuse to gush over authors she admires.

Image of black and white clipart of a computer minotor displaying glasses reading a book. A blue banner has white text: Guest Author. Advert reads: Renaissance Virtual Conference, October 24-25, 2020, pressesrenaissancepress.ca, bringing together authors and readers in the comfort of home!

RenVCon 2020, Fall Edition is Oct 24-25. Registration is FREE, and I’ll be on two panels!

Registration is open! Go to the Renaissance website to learn more about this amazing virtual con and register for other panels! There will be a virtual vendor room and we can chat and socialize on Discord!

I’m going to be participating in two panels, which should be kinda awesome. (I pretend that I know stuff but really, I just want to learn from the other panelists. Don’t tell anyone, okay?)

Ableist, me? That’s cra*zy!

I’ll be moderating a panel called Ableist, me? That’s cr*zy! (Saturday Oct 24 from 1:00-2:00 PM EDT)

Panel description: Ableist language and narratives are incredibly pervasive. This panel explores how even disabled, Deaf, neurodiverse authors have to unlearn ableist narratives that influence the everyday terms we use.

My lovely panelists will be Dianna Gunn, Jennifer Lee Rossman, Jamieson Wolf, Madona Skaff-Koren, and Talia C. Johnson.

This has been a panel I’ve wanted to do for some time. Ableist expressions are so entrenched in our everyday language that even I—a professional sensitivity editor—mess up. Often. What ableist narratives spawned these terms in our language anyway?

The purpose of this panel will be to educate, discuss, and provide resources. I’m hoping to do it in a fun way, too. It’s not about bashing, but learning!

Building worlds

I’ll also be a panelist on Building worlds! (Saturday Oct 25 from 7:00-8:00 PM EDT!)

Panel description: In speculative fiction, the setting tends to become central to the conflict. But how do you build a world from scratch? What elements go into building a believable world? How do we decide?

Dianna Gunn is our moderator and the other lovely panelists are Christian Baines, S. M. Carrière, Stephen Graham King, and E. C. Ambrose!

Full disclosure: I wanted to sign up for panels and saw this one and thought, “Ooo, I’d like to go to this!” Then I realized I’m on the panel. YEEPS! But I do build worlds and think I can contribute.

Hope you can join us! Please spread the word! We’re a little con, but full of heart!


Cait Gordon Headshot

Cait Gordon is a disability advocate who wants everyone to pummel that curve!

She’s also the author of Life in the ’Cosm and The Stealth Lovers. When Cait’s not writing, she’s editing manuscripts and running The Spoonie Authors Network, a blog whose contributors manage disabilities and/or chronic conditions. She also teamed up with Kohenet Talia C. Johnson to co-edit the Nothing Without Us anthology (a 2020 Prix Aurora Award finalist for Best Related Work) in an attempt to take over the world.

I was interviewed by AE Science Fiction for my contribution to STARGAZERS: Microtales from the Cosmos!

Very thrilled to receive this interview in my inbox! Please read and share. I had no say in choosing the illustration of the Canada goose, but in my opinion, it’s an accurate depiction of a Canada goose. 😂


ID: Banner for the launch announcement of Stargazers (micro) Tales from the Cosmos. A woman in a space suit, holding a scanning device, enters a hatch and it looks like electric activity is all around her.

STARGAZERS: Microtales From The Cosmos

Author Introduction: Cait Gordon

Throughout our Kickstarter campaign for Stargazers, we are spotlighting a handful of the authors who made the book possible. Today’s interview is with Cait Gordon. There are just 11 days left to support the campaign and reserve your copy.

★★★

“I like to think of myself as a feisty and funny disability advocate who loves space opera and cake,” Cait Gordon tells AE. 

For two decades Gordon worked as a technical writer for the aerospace and telecommunications industries. That was before her decision to dive into a “creative writing exercise” which “accidentally” got published.  Her debut novel Life in the ‘Cosm was released in 2016 and was followed by The Stealth Lovers in 2019. 

“With My Kind,” her contribution to Stargazers very much embodies that goal. It’s a micro-escape story which, in 185 words, balances hope and tragedy, horror and comedy, action and love all the while echoing the themes that drive Gordon’s work: the too-often underestimated spark and spirit of disabled people, as well as a direct subversion of the tired trope that “restructuring” is needed for some to fit into an ableist view of “normal”.

“In my opinion, it’s so important for disabled authors to write disabled protagonists. So very often, we’re portrayed as pathetic caricatures and one-dimensional tropes by non-disabled authors,” Gordon notes. “Cure narratives are often distasteful to disabled folks, so my protagonist uses the ignorance and prejudgement of abled society in order to plan their escape.”

As a kid in the ’70s, Gordon was introduced to speculative fiction by none other than Star Wars, an influence that has kept her glued to grand adventures across the cosmos ever since. 

“While I also geek out on technology, I think I will forever be drawn to character-driven stories. The books I love usually have characters I wish I could be friends with in real life.”

Last year also saw the publication of Nothing Without Us, an anthology she co-edited alongside Talia C. Johnson. It comprises short, multi-genre stories where the authors and their protagonists identify as disabled, Deaf, neurodiverse, and/or they manage mental illness. 

“My primary career objective is to continue to write or elevate speculative fiction that celebrates the reality of diversity.” 

★★★

ID: A Canada goose blowing flames out their beak and basically just destroying downtown Toronto

You can follow Gordon and her work via Twitter. Don’t forget to share this email as well as the link to our Kickstarter campaign to help make Stargazers a reality.


Cait Gordon Headshot

Cait Gordon is a disability advocate who wants everyone to pummel that curve!

She’s also the author of Life in the ’Cosm and The Stealth Lovers. When Cait’s not writing, she’s editing manuscripts and running The Spoonie Authors Network, a blog whose contributors manage disabilities and/or chronic conditions. She also teamed up with Kohenet Talia C. Johnson to co-edit the Nothing Without Us anthology (a 2020 Prix Aurora Award finalist for Best Related Work) in an attempt to take over the world.

Image of black and white clipart of a computer minotor displaying glasses reading a book. A blue banner has white text: Guest Author. Advert reads: Renaissance Virtual Conference, October 24-25, 2020, pressesrenaissancepress.ca, bringing together authors and readers in the comfort of home!

I’ll be moderating a panel about ableist terms and narratives in writing for RenVCon 2020, Fall Edition!

Save the date! I’ll be moderating a panel called Ableist, me? That’s cr*zy! on Saturday October 24 at 1:00 PM EST for RenVCon, a virtual writers conference hosted by Renaissance. Sign up here!

This has been a panel I’ve wanted to do for some time. Ableist expressions are so entrenched in our everyday language that even I—a professional sensitivity editor—mess up. Often. What ableist narratives spawned these terms in our language anyway?

The purpose of this panel will be to educate, discuss, and provide resources. I’m hoping to do it in a fun way, too. It’s not about bashing, but learning!

Registration is open! Go to the Renaissance website to learn more about this amazing virtual con and register for other panels!

Hope you can join us! The panelists are Dianna Gunn, Jennifer Lee Rossman, Jamieson Wolf, and Madona Skaff-Koren.


Cait Gordon Headshot

Cait Gordon is a disability advocate who wants everyone to pummel that curve!

She’s also the author of Life in the ’Cosm and The Stealth Lovers. When Cait’s not writing, she’s editing manuscripts and running The Spoonie Authors Network, a blog whose contributors manage disabilities and/or chronic conditions. She also teamed up with Kohenet Talia C. Johnson to co-edit the Nothing Without Us anthology (a 2020 Prix Aurora Award finalist for Best Related Work) in an attempt to take over the world.

Pssst… I got interviewed by Derek Newman-Stille for SF Canada!

So, a cool thing happened. Nine-time Prix Aurora Award winner Derek Newman-Stille asked to interview me for an author series they are doing for SF Canada, Canada’s National Association for Speculative Fiction Professionals.

Derek and I discuss disability representation, my advocacy in boosting the voices of disabled authors, and maybe also the fact that I cosplay Barbies.

Cait Gordon holding up Nothing Without Us while another Cait Gordon holds up The Stealth Lovers!
I was simply beside myself when I got the news!

Read more here: Interview with Cait Gordon About Advocating for Disabled Writers


Cait Gordon is a disability advocate who wants everyone to be wise and think of others as we battle COVID-19!

She’s also the author of Life in the ’Cosm and The Stealth Lovers. When Cait’s not writing, she’s editing manuscripts and running The Spoonie Authors Network, a blog whose contributors manage disabilities and/or chronic conditions. She also teamed up with Kohenet Talia C. Johnson to co-edit the Nothing Without Us anthology (a 2020 Prix Aurora Award finalist for Best Related Work) in an attempt to take over the world.

Snapshot from the ceremony. Aurora sky background with Talia's and my headshots. Text: Nominated for Prix Aurora Award, best Related Work Category, Nothing Without Us, Cait Gordon and Talia C. Johnson

Reflection on my first award ceremony: There are no losers

My little neurodiverse brain likes pondering about my experiences. Yesterday was my birthday, and later that evening, I attended the 2020 Prix Aurora Award ceremony, done virtually via the When Words Collide conference with charming emcee Mark Leslie Lefebvre.

Now, the only good thing about 2020 for me has been these virtual events. I’ve been able to participate from the comfort of my own home, regardless of how my disabled self is doing. I can’t tell you how I wish this continues going forward. And yesterday, I was in 20/10 pain from a shoulder injury, but I still tuned in.

And it was fun. I always like joining people in the live chat, too.

When it came to the category in which Nothing Without Us was a nominee, I felt my heart race like I was running from the Law. (Joke’s on the Law—I can’t run.) And when we didn’t win, I went, “Awww…” Then I clapped for the winner.

Immediately I received messages of support about our anthology from my friends and peers, but my brain went, “No. I don’t need consoling. This is not what it’s about.”

What I wanted to do right away was send a message to our authors. So I ran one by Talia, and then posted this on Facebook:

Talia and I want to send an encouraging message tonight. Even though NWU didn’t win the Prix Aurora Award, it didn’t lose anything. The very fact that this anthology exists means we won a huge battle.

We want to thank everyone who voted for us. It’s so vital that disabled, Deaf, neurodiverse, and mentally ill people write their own heroes, their own protagonists in genre fiction. There’s a real hunger out there for stories told in our voices.

Many thanks to Nathan Fréchette of Renaissance press for accepting my accidental pitch when I was thinking out loud, and for recommending Kohenet Talia C. Johnson to be co-editor. (Pinky and The Brain forever!) Special thanks to the sensitivity editors and the copy editors for making this anthology shine. And a billionty thanks to our 22 amazing authors. This book would LITERALLY be nothing without any of you.

Lastly, we would like to thank all of our supporters of this project: Those who backed the project, our wonderful readers, and also to Derek Newman-Stille, who taught this anthology as part of a disability curriculum at Trent University.

YOUR STORIES WERE TAUGHT IN UNIVERSITY, FOLKS!!!

You see, when I had the idea of gathering stories from Spoonie authors, it was never with the intention of winning an award. And when Renaissance approved the idea and Talia was working with me, we never had that goal either. Nothing Without Us was always about authors from our community crafting their own protagonists. Most disabled characters are pathetically written by abled authors with all the tropes. This was a chance to get own-voices main characters so we would be the heroes, not the sidekicks.

While Talia and I were thrilled for the Prix Aurora Award nomination, and it’s nice to be recognized by Canadian publishing peers, we’d already felt we won when Nothing Without Us was taught in Trent University by Derek Newman-Stille in a disability studies class. We co-editors were invited as guest lecturers, and I think that will always be a highlight of my career and a milestone as a disability advocate.

Sure, when my silver Prix Aurora Award pin arrives the post, I shall wear it proudly and think of this project where I believe almost everyone involved behind the scenes was disabled or neurodiverse. This wasn’t Talia and myself against an abled publishing staff. We were all well-acquainted with own-voices experiences.

I sincerely mean it when I say there are no losers, only winners and finalists. An award doesn’t improve the content of your work. Those who didn’t win still have much to be proud of.

There might be circles that think only of winners and losers, but that’s not how I roll.

Because at the end of the day, it’s the readers who should matter to us authors/anthology editors the most. If we marginalized writers make even one reader cry, “IT ME!” or have a non-marginalized reader say, “Whoa, I never realized…” then those reactions are worth more than any award on this planet.

So, my heartfelt congratulations to all the 2020 winners and finalists. Hope you are all having a nice wind-down Sunday. Might I recommend that calories don’t count on this day? 😉

And now… onward and forward with the alphabet arranging! I have WIPs that need my attention.


Black and white photo of Cait Gordon

Cait Gordon is a disability advocate who wants everyone to be wise and prevent the spread of COVID-19!

She’s also the author of Life in the ’Cosm and The Stealth Lovers. When Cait’s not writing, she’s editing manuscripts and running The Spoonie Authors Network, a blog whose contributors manage disabilities and/or chronic conditions. She also teamed up with Kohenet Talia C. Johnson to co-edit the Nothing Without Us anthology (a 2020 Prix Aurora Award finalist) in an attempt to take over the world.

Book cover of Nothing Without Us: A russet brick wall with faded tan, aqua, white, and yellow paint. Spray-painted in bold are the words Nothing Without Us.

Nothing Without Us is included in a book review about authentic disability representation!

What a lovely thing it is to wake up to a Facebook chat where my BFF (Talia C. Johnson) is telling Nathan Fréchette (Renaissance) and me that there’s an article in NewCityLit zine that mentions Nothing Without Us: Four Disability Anthologies That Are Actually Authentic: A Review of “About Us,” “Firsts,” “Nothing Without Us” and “Defying Doomsday”

‘There’s something for everyone in these twenty-two stories that range the gamut from satirical to thrilling and suspenseful.’

Robert Kingett, author and journalist

To be recognized for our authenticity really matters to me. I might be a feisty disability advocate, but most of my advocacy is to boost creatives who identify as disabled, Deaf, neurodiverse, Spoonie, and/or those who manage mental illness. There are so many of us in WriterWorldLand, too. It was a pleasure for Talia and me to bring these 22 stories for everyone to enjoy.

What an honour to be included in a list with three other stellar works! Much thanks to Robert Kingett for boosting our collection. (Please consider reading and sharing the full article).


Cait Gordon, in a black and white digital sketch

Cait Gordon is a disability advocate and the author of Life in the ’Cosm and The Stealth Lovers. When she’s not writing, Cait’s editing manuscripts and running The Spoonie Authors Network, a blog whose contributors manage disabilities and/or chronic conditions. She also teamed up with Kohenet Talia C. Johnson to co-edit the Nothing Without Us anthology in an attempt to take over the world. Narf.